I was exposed to the film industry sometime between finishing a degree in design (1991) and launching a career as a commercial illustrator in Germany. That more tangible goal was sidelined by a call to Los Angeles and total immersion into Hollywood’s then-surfacing need for concept design.
Today, my work as  production designer adapts to the specific needs of every new project. It changes for every story you’re helping to tell, every team you work with, during every production and its phases. What stays the same is the intent to find the best visuals to tell a story.
 

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